American Art 1961-2001 by
Major works from the Walker Art Center's collection, seen in the context of two watershed moments in American history This diverse survey of American art from the collection of the Walker Art Center uses two of the nation's most significant events as its chronological boundaries: the failed Bay of Pigs Invasion in 1961 that escalated the Vietnam War and the 2001 terrorist attacks on New York and Washington, DC. Within the timeframe of these two landmark calamities, the United States saw the emergence of some of its most noteworthy artists. The publication examines the many themes and techniques developed during those 40 years within the greater context of American history and culture, from modernist abstraction to mass production. These generations of artists probed the very notion of what art is and what it can do using paint, performance, installation, video and photography. This paperback volume features work by artists such as Jasper Johns, Donald Judd, Barbara Kruger, Robert Mapplethorpe, Bruce Nauman, Cindy Sherman, Robert Rauschenberg, Kara Walker and Andy Warhol from the Walker Art Center's acclaimed collection.
Carolee Schneemann by
Traces the feminist icon Carolee Schneemann's prolific six-decade output, spanning her remarkably diverse, transgressive, and interdisciplinary expression Carolee Schneemann (1939-2019) was one of the most experimental artists of the twentieth and early twenty-first centuries. This book traces six decades of the feminist icon's diverse, transgressive and interdisciplinary expression through Schneemann's experimental early paintings, sculptural assemblages and kinetic works; rarely seen photographs of her radical performances; her pioneering films; and groundbreaking multi-media installations. Contributors shed new light on Schneemann's work, which addressed urgent topics from sexual expression and the objectification of women to human suffering and the violence of war. An artist who was concerned with the precarious lived experience of both humans and animals, this book positions Schneemann as one of the most relevant, provocative and inspiring artists in recent years. Published in association with Barbican Art Gallery Exhibition Schedule: Barbican Art Gallery, London (September 8, 2022-January 8, 2023)
Carrie Mae Weems by
The most comprehensive survey of Weems' genre-defying oeuvre yet published One of the most influential American artists working today, Carrie Mae Weems has investigated narratives around family, race, gender, sexism, class and the consequences of power for more than 40 years. Her complex oeuvre--always ahead of its time, and profoundly formative for younger generations of artists--has employed photography (for which she is best known), fabric, text, audio, digital images, installation and video. Writing in the New York Times, Holland Cotter succinctly described Weems as "a superb image maker and a moral force, focused and irrepressible." This volume, spanning four decades of work, is the most thorough survey yet published. It includes Weems' earliest series, such as Family Pictures and Stories, for which she photographed her relatives and close friends; the legendary Kitchen Table Series, in which she posed in a domestic setting; and other critically acclaimed works and series such as Ain't Jokin', Colored People, From Here I Saw What Happened and I Cried, Not Manet's Type, The Jefferson Suite, Monuments, Roaming, Museums, Constructing History (A Class Ponders the Future), Slow Fade to Black and the Obama Project, among many others. Contextualizing these pieces are essays by LaCharles Ward and Fred Moten and a chronology by Raul Muñoz. The book also includes a visual essay by Weems that presents a personal selection of her own works from the artist's perspective. The accompanying exhibition is organized by Fundación MAPFRE in collaboration with Fundación Foto Colectania, Barcelona and Württembergischer Kunstverein, Stuttgart, where the exhibition Carrie Mae Weems. The Evidence Of Things Not Seen took place from April 2 through July 10, 2022. Carrie Mae Weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the Metropolitan Museum of Art, the Museum of Fine Arts, Houston, the Museum of Modern Art and the Museum of Contemporary Art, Los Angeles. Weems lives in Brooklyn and Syracuse, New York.
Classroom Assessment Techniques by
Classroom Assessment Techniques: Formative Feedback Tools for College and University Teachers A practical, research-based handbook for using assessment to improve learning. This completely revised and updated third edition of Classroom Assessment Techniques provides a research-based, engaging guide to assessing student learning where it matters most--at course and classroom levels. Informed by the latest international educational research and 30 years of classroom assessment practice, this practical handbook is designed for postsecondary teachers from all disciplines, faculty and academic developers, and assessment professionals. It offers field-tested guidance, tools, and advice for planning, designing, and implementing formative assessment in face-to-face, hybrid, and fully online classrooms, analyzing resulting data, and using that data to improve student learning. Classroom Assessment Techniques, 3rd Edition, is a practical, clearly written handbook for busy professionals. It contains a wealth of useful resources, including: 50-plus CATs (classroom assessment techniques) - flexible formative assessment tools easily adaptable for use in a wide range of disciplines and contexts. Case studies and examples illustrating how college and university faculty have applied these techniques to improve learning A new "Course Learning Outcomes Inventory" (CLOI)--a self-assessment tool for identifying and prioritizing the most relevant learning outcomes to assess The original "Teaching Goals Inventory" (TGI) which offers an alternate, teaching-focused approach to setting assessment priorities Multiple ways to quickly find the most appropriate tool. CATs are indexed by discipline examples, Bloom's Taxonomy, Biggs and Tang's SOLO Taxonomy, the CLOI, and the TGI Brief chapters explaining what formative assessment is, how it can improve student learning, how to gather and provide formative feedback, how to link classroom assessment with broader/other assessment efforts, and how to collaborate with students and colleagues Each CAT provides a brief, self-contained "recipe" including a description, steps for implementation, dos and don'ts, and relevant references
Gerhard Richter: Drawings 1999-2021 by
The most comprehensive publication on Richter's drawings of the last 20 years, offering a first look at new drawings and watercolors made in 2020-21 Following in the steps of Gerhard Richter's catalogue raisonné of drawings, published 20 years ago, this new monograph on Richter's recent drawings illustrates 80 works produced between 1999 and 2021. Drawings 1999-2021 highlights a recent period of extraordinary creativity and inventiveness that includes expansive series of graphite drawings on paper, vivid watercolors and overpainted photographs of forests. Like the accompanying exhibition at the Hayward Gallery, London, this publication offers a rare chance to study the most intimate aspect of Gerhard Richter's work. Gerhard Richter (born 1932) was born in Dresden, Germany. He studied at the Dresden Academy of Fine Arts and then the Dusseldorf Art Academy. His work has been the subject of exhibitions internationally, including touring retrospectives at the Kunsthalle Dusseldorf; Tate; the Museum of Contemporary Art, Chicago; and the Museum of Modern Art, New York, among many others. Richter has worked in sculpture, photography, drawing and painting.
God Inc I + God Inc II by
A powerful book of photographs documenting the Bible Belt American religious experience through the lens of a Magnum photographer.
Godzilla: Asian American Arts Network by
A revelatory compendium of writings, art and ephemera on the '90s New York collective that fostered a social space for diasporic Asian artists A New York Times critics' pick Best Art Books 2021 This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work. Edited by curator Howie Chen, the book gathers archival material from the group's wide-ranging activities, which included producing exhibitions and forums to social change advocacy surrounding institutional racism, the politics of representation, Western imperialism, the AIDS crisis and violence against Asian Americans. Godzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Lynne Yamamoto and Alice Yang, among others. Founded by artists Ken Chu, Bing Lee and Margo Machida in New York and eventually expanding into a national network, Godzilla's aim was to "function as a support group interested in social change through art, bringing together art and advocacy" and "to contribute to changing the limited ways Asian Pacific Americans participate and are represented in broad social context--in the artworld and beyond." This comprehensive chronicle of Godzilla: Asian American Arts Network assembles art projects, critical writing, correspondences, exhibition and meeting documentation, media clippings and other archival ephemera to convey the political and cultural stakes of the time.
Graphic Witness by
"If you care about graphic novels, you need this book." -- New York Times bestselling author Neil Gaiman Graphic Witness features rare wordless novels by five great twentieth century woodcut artists from Europe and North America. The stories they tell reflect the political and social issues of their times as well as the broader issues that are still relevant today. Frans Masereel (1899-1972) was born in Belgium and is considered the father of the wordless graphic novel. Graphic Witness includes the first reprint of his classic work The Passion of a Man since its 1918 publication in Munich. American Lynd Ward (1905-85), author of the provocative Wild Pilgrimage, is considered among the most important of wordless novelists. Giacomo Patri (1898-1978) was born in Italy and lived in the United States. His White Collar featured an introduction by Rockwell Kent and was used a promotional piece by the labor movement. Erich Glas's (1897-1973) haunting wordless novel Leilot, created in 1942, foreshadows the Holocaust, which was not widely known about at the time. Southern Cross by Canadian Laurence Hyde (1914-87) was controversial for its criticism of U.S. H-bomb testing in the South Pacific. Author George A. Walker draws on his expertise as a woodcut artist to provide insight into the tools and techniques used to create these works of art. As well, he examines the importance of the role of artists as witnesses and critics of their times, and the influence of the genre on the emergence of comics and the modern graphic novel. This newly expanded edition of Graphic Witness, which features an afterword by cartoonist Seth, will appeal to readers interested in social issues, printmaking, art history and contemporary culture.
Interacting with Color by
The essence of Josef Albers's Interaction of Color in a format that engages learners of all ages and levels and encourages a hands-on approach Interaction of Color is often presented as an overarching theory of color, but it is actually a method of learning how to better see and understand color--many of the color exercises illustrated in Interaction of Color were devised by Albers's students: cutting and pasting, looking, pondering, and learning. This workbook companion is a teaching tool designed to enable readers to engage in the kinds of tactile creativity and exploration that characterized Albers's own classroom. Focusing on eight of the most important lessons in Interaction of Color, this book invites readers to learn by doing, using only simple materials. Core instructions for each exercise are enhanced by additional tips, references to Albers's original text and illustrations, and stories about how Albers presented the ideas in class. The book and exercises are sufficiently nuanced to challenge and inspire seasoned artists, designers, and educators while also being readily accessible to younger readers and less-experienced practitioners.
Johan Muyle by
This handsome volume traces the work and career of Belgian visual artist Johan Muyle (b. 1956) from his early assemblages of found materials to his monumental paintings and recent motorized sculptures. Considered one of the most significant Belgian artists of his generation, Muyle's work has been exhibited internationally since the 1980s. In this book, a series of thematic chapters situate Muyle's oeuvre within the political and artistic context of the past thirty years and analyze the prolific artist's critical responses to concerns including religious extremism and the disappearance of collective utopias.
Kiki Smith by
The work of American artist Kiki Smith, born 1954, is a meditation on the body. Smith observes every aspect of corporal materiality and the conditions that shape our life on earth: physically, spiritually, and politically, but also with regard to emotive categories like control and disgust. Her earlier work often fragmented the body into organs, fluids, and senses. Later, she depicted it as an envelope. Yet in her most recent art she has taken a step back to evoke mankind's relationship with its environment. Smith uses a wide range of materials and techniques, with a particular interest in the fragility and expressive potential of paper and its resemblance to human skin. This book, published to coincide with an exhibition at Musée Cantonal des Beaux-arts in Lausanne, Switzerland, offers a survey of some forty years of Kiki Smith's art making, examining in particular the sensory dimension of her output. Richly illustrated, the book confronts the reader with their own body and invites reflection on their role within the entire world.
Ray Johnson C/o by
A New York Times best art book of 2021 "[A] gold mine of a book . . . Funny, biting, morbid, it's a page-turner for sure."--Holland Cotter, New York Times Ray Johnson (1927-1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson's work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist's books, collages, drawings, mail art, and performance documentation. In keeping with Johnson's democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist's oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (November 26, 2021-March 21, 2022)
Richard Hunt by
Seven decades of incredibly dynamic sculpture in bronze and steel from the Chicago virtuoso--with full-color plates, archival materials and much more Sculptor Richard Hunt was only 35 years old at the time of his 1971 retrospective exhibition at MoMA--the first for an African American sculptor at the museum--and his continued work over the course of his nearly seven-decade-long career, ranging from small bronze and steel sculptures to large-scale public commissions, has cemented his place as one of the foremost artists of the 20th century. This book is the definitive look at Hunt's work and career. Fully illustrated with more than 350 images, including historical photographs, installation images, images of Hunt in his studio, newspaper clippings and a plate section of significant works from throughout the artist's career, this book also includes a section on his major public commissions, a recent interview with art historian Adrienne L. Childs and an illustrated biography and chronology by Hunt's biographer Jon Ott. Essays discuss Hunt's attentiveness to antiquity, the ways in which his critical reception aligned with his practice and the relevance of his unique studio--a decommissioned electrical substation in Chicago's Lincoln Park neighborhood--to the ethos of his artmaking. This volume is a testament to the monumental works and stature of one of our greatest living artists. Chicago artist Richard Hunt (born 1935) is one of the most important sculptors of the 20th century. Hunt has had over 150 solo exhibitions and is represented in more than 100 public museums. In 2022 the Obama Presidential Center in Chicago commissioned him to make a work for its collection.
Women in Abstraction by
With a few notable exceptions, the fundamental role that women played in the development of abstract art has long been underestimated, and their work has not received the same critical attention as that of their male counterparts. Now, at last, the tide is turning. The latest historiographical advances illustrated by numerous recent publications, monographs and thematic exhibitions make it possible to reassess the importance of the contribution of women artists to the different currents of abstraction, while at the same time questioning the patterns of the past. Edited by Christine Macel, this catalogue and the exhibition it accompanies highlights the contributions of a hundred or so women artists to abstraction up to the 1980s, with a few unprecedented forays into the 19th century. By focusing on the careers of artists so often unjustly eclipsed, the book questions the established canons and offers an alternative history of abstraction, from the symbolist abstraction of Hilma Af Klint, to the sensual abstraction of Huguette Caland, to the purist non-objective approach of Verena Von Loewensberg. Essays by noted scholars explore the techniques, concerns and legacies of these women, shedding light on their unique experiences and offering keen new reflections on their work and the movement as a whole. With 350 illustrations