The Art of the Illustrated Book (Victoria and Albert Museum) by
The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A's National Art Library. This is the story of the illustrated book, from the earliest printed examples to the present day, told through the collections of the National Art Library at the Victoria and Albert Museum, London - a library that was created to bring together examples of superlative book-making on almost every subject. Gathered here are some of the most influential, compelling and striking examples of the illustrated book, arranged thematically in chapters devoted to subjects such as art, literature, religion, architecture, natural history, fashion, and shopping. Brimming with innovative and beautiful examples, ranging from well-known titles, such as Owen Jones's Grammar of Ornament and James Audubon's Birds of America, to other wonderful but less familiar publications, this collection offers a fascinating overview of some of the finest illustrated books ever created - demonstrating their enduring appeal.
A Bestiary by
Winner of the 2015 Essay Collection Competition, Selected by Wayne Koestenbaum. Finalist for PEN USA's Literary Awards in Creative Nonfiction.
Biology by
This updated Fifth Edition of BIOLOGY: THE DYNAMIC SCIENCE is a readable and understandable foundation for introductory biology students. Clarity of presentation, thoughtful organization, a logical and seamless flow of topics within chapters, and carefully designed illustrations are hallmarks of this text. The accompanying MindTap for Biology includes multimedia instruction, assessments, videos, personalized study tools and more. With this easy-to-read, engaging text, you�ll leave your introductory biology course armed with intellectual skills that will enable you to evaluate future knowledge with a critical eye.
A Brief History of Protest Art by
Art has always declared its dissatisfaction against the status quo. Throughout history artists have used their art to criticise and protest against a range of injustices and inequalities. Their art is an act of defiance, but more importantly it has given a voice to the marginalised. This short but powerful book showcases the work of a range of artists from the last eighty years who have challenged traditional boundaries, spoken up for the powerless and against those who seek to deny people their human rights. Exploring deeply political and critical art which uses irony, satire, subversion and provocation, it features responses to war, violence, oppression, gender and racial inequalities, the AIDS epidemic, LGBTQ+ rights, the Black Lives Matter movement and the climate crisis, in a variety of media. A Brief History of Protest Art reveals the important role of art in confronting political and social issues, and how it can help to change attitudes to create a better future.
Christa Sommerer and Laurent Mignonneau by
"More than a cabinet of curiosities, more than a terrarium, more than an aquarium"- a captivating look at thirty years of artistic work by the Austrian-French artist duo Christa Sommerer and Laurent Mignonneau. Working at the intersection of natural science, technology, and art, Austrian-French artist duo Christa Sommerer and Laurent Mignonneau pioneered the "Art of Interface"-innovative technical interfaces that enable physical interaction between simulative visual worlds and the world of natural sensory organs. Early on, the pair used algorithms to represent not only forms of the living but also their evolution and growth. Edited by Karin Ohlenschl ger, Peter Weibel, and Alfred Weidinger, this publication in the Leonardo book series brings together key works of the artists since the early 1990s in pictures and text contextualized by renowned international authors- Reinhard Kannonier, Ryszard W. Kluszczynski, Birgit Mersmann, Tomoe Moriyama, Karin Ohlenschl ger, Ingeborg Reichle, and Siegfried Zielinski. In the artists' installations, which are possible only through interactions with the viewer, devices designed by the artist couple produce novel virtual realities and immersive environments. In "Portrait on the Fly," for instance, a viewer stands in front of an interactive plasma screen, behind which a swarm of thousands of flies is moving. Gradually, the flies settle on the shadowed areas of the projection, thereby collectively reproducing the person's likeness. Works such as these, now almost classics of digital art, open a new horizon in which artworks can function as living systems. As Peter Weibel writes, their work is "more than a cabinet of curiosities, more than a terrarium, more than an aquarium; it shows mythical creatures, artificial creatures, and a so far unseen panorama of imagination and technical ingenuity."
Cubism and the Trompe l'Oeil Tradition by
A pioneering study of how Picasso, Braque, and Gris engaged with the pictorial tradition of illusion and deception in their influential Cubist works The age-old tradition of pictorial illusionism, known as trompe l'oeil ("deceive the eye"), employs visual tricks that confound the viewer's perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l'oeil themes and motifs with wit and invention. More than one hundred illustrated works juxtapose Cubist paintings, drawings, and collages with related compositions by the old masters. Essays based on new research explore connections between the Cubists and the trompe l'oeil specialists of earlier centuries and their games of creative one-upmanship. The informed and engaging texts trace the changing status of trompe l'oeil over the centuries, reveal Braque's training in artisanal trompe l'oeil techniques as an integral part of his Cubist practice, examine the materials used in Gris's collages, and discuss the previously unstudied trompe l'oeil iconography within Cubist still lifes--including newspapers, word puns, pictures-within-pictures, imitation wood grain, and tools of the trade. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 20, 2022-January 22, 2023)
The Day the Klan Came to Town by
The year is 1923. The Ku Klux Klan is at the height of its power in the US as membership swells into the millions and they expand beyond their original southern borders. As they grow, so do their targets. As they continue their campaigns of terror against African Americans, their list now includes Catholics and Jews, southern and eastern Europeans, all in the name of "white supremacy." But they are no longer considered a terrorist organization. By adding the messages of moral decency, family values, and temperance, the Klan has slapped on a thin veneer of respectability and has become a "civic organization," attracting ordinary citizens, law enforcement, and politicians to their particular brand of white, Anglo-Saxon, and Protestant "Americanism." Pennsylvania enthusiastically joined that wave. That was when the Grand Dragon of Pennsylvania decided to display the Klan's newfound power in a show of force. He chose a small town outside of Pittsburgh named after Andrew Carnegie; a small, unassuming borough full of "Catholics and Jews," the perfect place to teach these immigrants "a lesson." Some thirty thousand members of the Klan gathered from as far as Kentucky for "Karnegie Day." After initiating new members, they armed themselves with torches and guns to descend upon the town to show them exactly what Americanism was all about. The Day the Klan Came to Town is a fictionalized retelling of the riot, focusing on a Sicilian immigrant, Primo Salerno. He is not a leader; he's a man with a troubled past. He was pulled from the sulfur mines of Sicily as a teen to fight in the First World War. Afterward, he became the focus of a local fascist and was forced to emigrate to the United States. He doesn't want to fight but feels that he may have no choice. The entire town needs him--and indeed everybody--to make a stand.
Ed Ruscha by
With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre--including installations, films, painted book covers, contour gauge profiles, and more Introducing readers to the stunning breadth of Edward Ruscha's (b. 1937) creative output over the course of his entire life, this book includes materials dating back to his childhood and extending to his present-day output. The projects featured here fall outside Ruscha's production of paintings, drawings, prints, and artists' books. Many of these are unknown and most are reproduced here for the first time. Composed of three sections--Projects and Ephemera; Contour Gauge Profiles; and Painted Book Covers--the book offers Ruscha enthusiasts and scholars a hitherto unknown aspect of Ruscha's practice, while also showing how these projects coincide with, and sometimes even prefigure, the artistic work for which he is best known. The approximately 270 painted book covers, begun in 1990, utilize found books as support for small paintings and drawings. The 57 contour gauge profiles are silhouette-like profiles made using a mechanical device for reproducing contours. The largest section, Projects and Ephemera, consists of installations, sculpture and objects, films, book and poster design, utilitarian works, and more. Distributed for Gagosian
Fluxus Administration by
A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time.
How to Slowly Kill Yourself and Others in America by
A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the "star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful" (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon's first work of nonfiction looks inward, drawing heavily on the author and his family's experiences, while simultaneously examining the world--Mississippi, the South, the United States--that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon's profound love of language and his artful rendering of experience, trumpeting why he is "simply one of the most talented writers in America" (New York magazine).
Iran by
A beautifully illustrated journey in time across Iran's rich artistic history. Iran: Five Millennia of Art and Culture presents 360 objects from the time of the first advanced civilizations during the third millennium BCE until the end of the Safavid Empire in the early eighteenth century. Amid searing deserts, lush forests, varied coastlines, and vast mountain ranges emerged one of the oldest civilizations and with it, a fascinating artistic culture that drew inspiration from the natural world. As these objects attest, Iran had outstanding significance as the initiator and center of intercultural exchange. Exquisite artworks from the Sarikhani Collection in London and the Staatliche Museen zu Berlin invite visitors to embark on a journey through the cultural heritage of Iran. The highlights include works from the great pre-Islamic empires of the Achaemenids and the Sasanids, the establishment of a Persian-Islamic culture, the masterly artistic achievements of the ninth to the fifteenth centuries, and the Golden Age of the Safavids. Providing insight into the art of the courts and the urban elites, these works are brought together in a multifaceted kaleidoscope through an array of gorgeous full-color reproductions.
Jack Pierson: New Pieces by
Assemblage under quarantine: new works from the celebrated Boston School photographer and artist Jack Pierson's (born 1960) latest book, New Pieces, features new assemblage works that the artist started making during quarantine in his Ridgewood, Queens, studio. Assemblage has long played a role in Pierson's career, from his early verité installation pieces to his iconic "word pieces." These new works consist mainly of items found in and around his studio building, which were then pinned directly to the wall. As Bonnie Morrison writes, "These are things that Pierson has accumulated as well as the things that have no doubt accumulated around him. To be fabricated in the year everything took on different meaning is also to take every fabricated thing's meaning different(ly)."
The Keithley Collection at the Cleveland Museum of Art by
A wide range of artworks--from paintings by Impressionist and Post-Impressionist masters to Japanese and Chinese ceramics--feature in this sumptuous catalogue The Keithley Collection of art, gifted and promised to the Cleveland Museum of Art in 2020, is impressively varied, encompassing paintings, prints, drawings, and ceramics. Works by Pierre Bonnard, Georges Braque, Maurice Denis, Édouard Vuillard, Gustave Caillebotte, Henri Matisse, Camille Pissarro, Vilhelm Hammershøi, Joan Mitchell, and Andrew Wyeth demonstrate the collection's strengths in Impressionist, Post-Impressionist, modern European, and American paintings. Outstanding ceramics from late-twentieth-century Japan and China's Southern Song Dynasty (1127-1279) and Ming Dynasty (1268-1644) are also among the extraordinary works showcased in this volume. Director William M. Griswold's interview with Cleveland collectors Nancy F. and Joseph P. Keithley illuminates the couple's approach to collecting and is accompanied by entries from more than twenty eminent American, European, and Asian art scholars, including Ruth Fine, Gloria Groom, Robert Hobbs, Mary Morton, Sarah Roberts, and Nicole Coolidge Rousmaniere. Distributed for the Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (September 11, 2022-January 8, 2023)
Kerry James Marshall: the Complete Prints by
This catalog raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall's work as a whole. One of the most important American contemporary artists, Kerry James Marshall is known for artworks that address the 'crisis of under-representation' of the black figure in the pictorial traditions of the Western world, from museums to comic books. His work has been widely celebrated in major museum retrospectives such as Kerry James Marshall: Painting and Other Stuff (Antwerp, Copenhagen, Barcelona, Madrid) in 2014 and Mastry (Chicago, New York, Los Angeles) in 2017, and through numerous awards, including a MacArthur Fellowship in 1997. Best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. An assiduous worker, he spent his youth acquiring time-honored skills of art - drawing and painting, but also wood engraving and printing. By his midtwenties, he recalls, 'I could paint in egg tempera.... I was good at printmaking. I could do woodcuts, etchings, aquatints. I knew all of those techniques.' Most of his prints have been produced not in professional print workshops, but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12 panel woodcut Untitled (1998-99), to iterations of his ongoing magnum opus, Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist's archive and are unknown to the public.
Lateness and Longing by
How a generation of women artists is transforming photography with analogue techniques. Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. Lateness and Longing presents the first account of a generation of artists--focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey--who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead--in what amounts to a series of feminist polemics--they return to earlier, incomplete, or unrealized moments in photography's history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become--not obsolete--but "late," opened up by the potentially critical forces of anachronism. Through a strategy of return--of refusing to let go--the work of these artists proposes an afterlife and survival of the photographic in contemporary art, a formal lateness wherein photography finds its way forward through resistance to the contemporary itself.
Lawrence Weiner by
Bronx-born postminimalist Lawrence Weiner is one of the pioneers of conceptual art, best known for his use of language as an artistic medium. Descriptive rather than prescriptive, Weiner's work does not instruct the viewer to perform a particular action or interpret it in any particular, unequivocal way. Rather, it presents the viewer with an infinite number of meanings and possibilities for realization. ATTACHED BY EBB & FLOWis an installation Weiner created for Nivola Museum in Orani, Sardinia, Italy. The title refers to the tides and to Sardinian artist Costantino Nivola's experience of exile and relocation, as well as to the current migrant crisis in the Mediterranean Sea. Sentences are translated from English to Italian to local Sardu, using different words and constructs and presented simultaneously to show many various possibilities for interpretation. While things may be lost in translation, Weiner shows, many more can be found.
Louise Bourgeois, Freud's Daughter by
An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis From 1952 to 1985, Louise Bourgeois (1911-2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition--and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois's work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois's literary archivist, provides an overview of the artist's life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst's viewpoint on the artist's long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud's own relationship to art and artists. Featuring excerpts from Bourgeois's copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud's Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints. Published in association with the Jewish Museum, New York Exhibition Schedule: Jewish Museum, New York (May 21-September 26, 2021)
Marbles on the Floor by
Marbles on the Floor: How to Assemble a Book of Poems was conceived from a poetic dialogue on how to shed light on the art and science behind the material construction of a poetry collection, and to generate a conversation around an art form too-long hermetically obscured. This anthology of interconnected essays (craft, lyric, and critical) explores the art and technique of poetry manuscript assembly as articulated by poets in all stages of their careers. Stylistically innovative, the essays range in conception from lyrical meditations, close readings, extended metaphors (including bookshelf assembly, cooking, caring for one's mother, and bonsai trees), and an F.A.Q for writers seeking to ask the hard questions of their manuscripts, and themselves. Theorizing the poetry manuscript process through creative and aleatory means and celebrating the richness and depth of our poetic origins and legacies, this anthology, a primer in autopoiesis, is a timely, invaluable, and compact resource for creative writing teachers, as well as emerging and established poets honing their craft. Writers in other genres (fiction and non-) will also benefit from this widely applicable yet nuanced and craft-based discussion of how to bring a book into being from vital contemporary perspectives on the narrative and lyric traditions. Contributors: Diane Seuss, Heather Treseler, Christopher Salerno, Annie Finch, Stephen Kampa, Alyse Knorr, Harvey Hix, Karyna McGlynn, Philip Metres, Kazim Ali, Cyrus Cassells, and Victoria Chang
Philip Guston Now by
A sweeping retrospective of Philip Guston's influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master A Wall Street Journal 2020 holiday gift guide pick Philip Guston--perhaps more than any other figure in recent memory--has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of "high" and "low" sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art's most legendary conversion narratives. "I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything--and then going into my studio to adjust a red to a blue?" And so Guston's sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life--despite initial bewilderment from his peers--reinforced his reputation as an artist's artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns. Published to accompany the first retrospective museum exhibition of Guston's career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston's life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art--including several perspectives on the 1960s and '70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.
Rebecca and Lucie in the Case of the Missing Neighbor by
A maternity leave murder mystery, complete with postpartum physiotherapy and suspicious grocery store footage Rebecca's got an eight-month-old baby and a mystery to investigate! Late one summer night as she's breastfeeding Lucie, she spots two men carrying something heavy into a white minivan. It's probably nothing serious, but when Rebecca hears that a home health care provider named Eduardo Morales disappeared from the neighbourhood that very night, she puts her detective hat on and gets to work. Over the course of the subsequent weeks, Rebecca juggles motherhood and detective work--alternating between unproductive visits with the Simard family, for whom the missing Eduardo worked, and tearful visits to potential daycares for Lucie. She faces down inconclusive interviews with evasive subjects and inconveniently timed diaper changes. Pascal Girard's observational humor and perfect timing shine through each page, highlighting how Rebecca's (over)confident, brash approach gets results, not just with the troublesome Simards but with everyone in her life. Rebecca and Lucie in the Case of the Missing Neighbor is a lighthearted maternity leave mystery that centers a new mother in all her postpartum glory.
Science Illustration. a History of Visual Knowledge from the 15th Century to Today by
Science and illustration have always walked hand in hand, and not only the scientific community but the general public as well have used images since early history to understand natural phenomena. Moreover, from Galileo to Einstein, our modern history has been written with the key support of art and with all the insights it contributes. This XL-sized book collects more than 300 graphic works that range from original sketches to technical drawings, and from meticulous hand illustrations to computer-generated images. The Western scientific revolution that started in the 14th century catapulted humankind into a completely new way of understanding how nature and the world around us behaved. Whether it was diseases caused by viruses or the vast galaxies of the cosmos, a new army of professionals turned their minds to unlocking and reshaping the universe of our experience with a dialectic positioned between theory and evidence. The field of illustration and the development of knowledge became inseparably intertwined, as can be seen by the majestic works shown in this book that were produced by the scientists and artists who specialized in this combined field. Explore here the work of more than 700 scientists and over 300 discoveries in anatomy, physics, chemistry, astronomy, mechanics, and many other scientific fields, through the visual works that bring them to life. Combined with detailed texts explaining their scientific significance, the illustrations in this book introduce the work of such pionieering scientists as Andreas Vesalius, Isaac Newton, Marie Curie, and Rosalind Franklin. The visualizations themselves present game-changing ideas and discoveries from the 15th century to the present day, notably including Galileo's watercolors of the moon, Bourgery's unparalleled Atlas of Human Anatomy and Surgery, Florence Nightingale's statistical diagrams to indicate war casualties, and Einstein's quickly scribbled ideas for his general theory of relativity. Many discoveries in science take place as the result of counterintuitive thinking, and in order to visualize their work scientists have to connect with the resources of collective knowledge and in turn convey new information back to people. This book is for everyone who is continually amazed by the wonders of our world and who wants to find out more about it through the remarkable illustrations used to present advances in scientific understanding.
Sensory: Life on the Spectrum by
A colourful and eclectic comics anthology exploring a wide range of autistic experiences - from diagnosis journeys to finding community - from contributors with autism. From artist and curator Bex Ollerton comes an anthology featuring comics from thirty autistic creators about their experiences of living in a world that doesn't always understand or accept them. Sensory: Life on the Spectrum contains illustrated explorations of everything from life pre-diagnosis to tips on how to explain autism to someone who doesn't have it, to suggestions for how to soothe yourself when you're feeling overstimulated. With unique, vibrant comic-style illustrations and the emotional depth and vulnerability of memoir, this book depicts these varied experiences with the kind of insight that only those who have lived them can have.
Shirin Neshat: Land of Dreams by
A multimedia portrait of a fictional woman artist caught between two cultures In her latest body of work, multimedia artist Shirin Neshat (born 1957) turns her focus to the American West. With more than 100 photographs, a two-channel video installation and a feature film, Neshat creates a multilayered look at contemporary America through the eyes of a fictionalized artist. Monumental black-and-white photographs are transformed through Neshat's use of Farsi text and images that have been hand-drawn onto the picture. The texts represent Neshat's interpretation of the dreams of the sitter, with references to ancient myths and ideologies. Neshat works and experiments with photography, video and film, imbuing them with highly poetic and politically charged images and narratives that question issues of power, religion, race, gender and the relationship between the past and present, occident and orient, individual and collective through the lens of her personal experiences as an Iranian woman living in exile.
This Must Be the Place by
"This Must Be the Place: Latin American Artists in New York, 1965-1975 is a two-part group exhibition exploring the work of a generation of migrants who created and exhibited in New York City between 1965 and 1975. The production of these artists-some of whom showed their work at this institution for the first time during the 1960s and 1970s-explores migration, identity, politics, exile, and nostalgia. The works presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south. Additionally, the exhibition highlights the important contributions and solidarity initiatives of groups and collectives such as CHARAS, Taller Boricua, Latin American Fair of Opinion, An Evening with Salvador Allende Concert, Brigada Ramona Parra, Contrabienal, Cha/Cha/Cha, Young Filmmakers Foundation, Young Lords, and El Museo del Barrio"--
What Can a Body Do? by
Named a Best Book of the Year by NPR and LitHub Winner of the 2021 Science in Society Journalism Book Prize A fascinating and provocative new way of looking at the things we use and the spaces we inhabit, and a call to imagine a better-designed world for us all. Furniture and tools, kitchens and campuses and city streets--nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider--or reconsider--the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it--from cyborg arms to customizable cardboard chairs to deaf architecture--Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body's stunning capacity for adaptation--rather than a rigid insistence on "normalcy"--look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.
You Died by
Death -- the one aspect of life we all have in common -- is waiting for everyone, yet our practices, beliefs, myths, and stories about it are as diverse as we are.You Died celebrates these vibrant cultural expressions of the great equalizer in a thrilling, life-affirming whirlwind of a book, an inspirational volume to be treasured through times of both loss and abundance (and every day in between). At turns both brazen and insightful, morose and optimistic,You Died asks a wide array of cartoonist newbloods and all-stars to relate their most unforgettable tales of death and what comes next. Filled with beautifully illustrated accounts of grief and mourning, ancient myths, memorial rites around the globe, afterlife in the far reaches of space, and the simple and touching ways both the living and the dead carry on, this lively collection starts a comforting and much-needed dialogue about death as a natural part of life. Featuring an introduction by death positivity movement pioneer and activist morticianCAITLIN DOUGHTY and a murderer's row of comics talent includingRAINA TELGEMEIER, SHAE BEAGLE, andLISA STERLE.
Zanele Muholi by
A stunning and comprehensive exploration of the work of visual artist-activist Zanele Muholi. Born in South Africa in 1972, Zanele Muholi came to prominence in the early 2000s with photographs that sought to envision black lesbian, gay, bisexual, trans, queer, and intersex lives beyond deviance or victimhood. Muholi's work challenges hetero-patriarchal ideologies and representations, presenting the participants in their photographs as confident and beautiful individuals bravely existing in the face of prejudice, intolerance, and, frequently, violence. While Muholi's intimate photographs of others launched their international career, their intense self-portraits solidified it. This groundbreaking publication include images from the key series Muholi has produced over the past twenty years, as well as never-before-published and recent works, presenting the full breadth of Muholi's photographic and activist practice like never before.
Zodiac by
NATIONAL BESTSELLER . In this beautifully illustrated and deeply philosophical graphic memoir, legendary artist Ai Weiwei explores the connection between artistic expression and intellectual freedom through the lens of the Chinese zodiac. As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career. The narrative shifts back and forth through the years-at once in the past, present, and future-mirroring memory and our relationship to time. As readers delve deeper into the beautifully illustrated pages of Zodiac, they will find not only a personal history of Ai Weiwei and an examination of the sociopolitical climate in which he makes his art, but a philosophical exploration of what it means to find oneself through art and freedom of expression. Contemplative and political, Zodiac will inspire readers to return again and again to Ai Weiwei's musings on the relationship between art, time, and our shared humanity.